Search results for "Acoustic feature"

Semi-blind Independent Component Analysis of functional MRI elicited by continuous listening to music

2013

This study presents a method to analyze blood-oxygen-level-dependent (BOLD) functional magnetic resonance imaging (tMRI) signals associated with listening to continuous music. Semi-blind independent component analysis (ICA) was applied to decompose the tMRI data to source level activation maps and their respective temporal courses. The unmixing matrix in the source separation process of ICA was constrained by a variety of acoustic features derived from the piece of music used as the stimulus in the experiment. This allowed more stable estimation and extraction of more activation maps of interest compared to conventional ICA methods.

A functional MRI study of happy and sad emotions in music with and without lyrics

2011

Musical emotions, such as happiness and sadness, have been investigated using instrumental music devoid of linguistic content. However, pop and rock, the most common musical genres, utilize lyrics for conveying emotions. Using participants’ self-selected musical excerpts, we studied their behavior and brain responses to elucidate how lyrics interact with musical emotion processing, as reflected by emotion recognition and activation of limbic areas involved in affective experience. We extracted samples from subjects’ selections of sad and happy pieces and sorted them according to the presence of lyrics. Acoustic feature analysis showed that music with lyrics differed from music without lyric…

Semantic structures of timbre emerging from social and acoustic descriptions of music

2011

The perceptual attributes of timbre have inspired a considerable amount of multidisciplinary research, but because of the complexity of the phenomena, the approach has traditionally been confined to laboratory conditions, much to the detriment of its ecological validity. In this study, we present a purely bottom-up approach for mapping the concepts that emerge from sound qualities. A social media ( http://www.last.fm ) is used to obtain a wide sample of verbal descriptions of music (in the form of tags) that go beyond the commonly studied concept of genre, and from this the underlying semantic structure of this sample is extracted. The structure that is thereby obtained is then evaluated th…

Acoustic Features of Voice in Patients with Snoring

2011

Objective: Determine whether the acoustic characteristics of snoring sounds differed between 30 simple male adult snorers (group A) and 30 healthy adult male subject (group B) by using a multidimensional voice program (MDVP), which is a commonly used computer program that analyzes various aspects of voice.Method: Group A patients presented a Friedman tongue position grade I, tonsil size 2 to 3, a body mass index of 15. Phonetically balanced sentences and sustained vowels a, e, and i were digitally recorded with the MDVP; evaluation of voice handicap index (VHI) was done too.Results: Compared with control group, in group A: the acoustic parameters presented a statistically significantly high…

Acoustic, neural, and perceptual correlates of polyphonic timbre

2012

Effect of Enculturation on the Semantic and Acoustic Correlates of Polyphonic Timbre

2011

polyphonic timbre perception was investigated in a cross-cultural context wherein Indian and Western nonmusicians rated short Indian and Western popular music excerpts (1.5 s, n = 200) on eight bipolar scales. Intrinsic dimensionality estimation revealed a higher number of perceptual dimensions in the timbre space for music from one's own culture. Factor analyses of Indian and Western participants' ratings resulted in highly similar factor solutions. The acoustic features that predicted the perceptual dimensions were similar across the two participant groups. Furthermore, both the perceptual dimensions and their acoustic correlates matched closely with the results of a previous study perfor…

Influence of Musical Expertise on the processing of Musical Features in a Naturalistic Setting

2019

Musical training causes structural and functional changes in the brain due to its sensory-motor demands, but the modulatory effect of musical training on music feature processing in the brain in a continuous music listening paradigm, has not been investigated thus far. In this work, we investigate the differences between musicians and non-musicians in the encoding of musical features encompassing musical timbre, rhythm and tone. 18 musicians and 18 non-musicians were scanned using fMRI while listening to 3 varied stimuli. Acoustic features corresponding to timbre, rhythm and tone were computationally extracted from the stimuli and correlated with brain responses, followed by t-tests on grou…

Physiological Measures Regress onto Acoustic and Perceptual Features of Soundscapes

2013

There is no exact model for the relationship between the autonomic nervous system (ANS) and evoked or perceived emotion. Music has long been a privileged field for exploration, while the contribution of soundscape research is more recent. It is known that health is influenced by the sonic environment, and the study here presented aimed to investigate the nature and strength of relationships between soundscape features and physiological responses linked to relaxation or stress. In a controlled experiment, seventeen healthy volun-teers moved freely inside a physical installation listening to soundscape recordings of nature, urban parks, eateries, and shops, reproduced using 3D ambisonic techn…

In search of perceptual and acoustical correlates of polyphonic timbre

2009

Polyphonic timbre refers to the overall timbre mixture of a music signal, or in simple words, the 'global sound' of any piece of music. It has been proven to be an important element for computational categorization according to genre, style, mood, and emotions, but its perceptual constituents have been less investigated. The aim of the study is to determine the most salient features of polyphonic timbre perception by investigating the descriptive auditory qualities of music and mapping acoustic features to these descriptors. Descriptors of monophonic timbre taken from previous literature were used as a starting point. Based on three pilot studies, eight scales were chosen for the actual exp…